Dick Mack’s Pub
Dingle, Co. Kerry
2022–2023
Dingle, Co. Kerry
2022–2023
Dick Mack’s Pub sought a sensitive reconfiguration and extension of its ‘back bar’ area. A new bar, additional seating, and upgraded toilet facilities were added. The brief was simple: honour the distinctive character of the historic front bar without imitation, establishing a complementary identity for the rear spaces that avoids pastiche.
The new layout and material palette take cues from the historic front bar, reinterpreted with subtle variation. Timber, used both pragmatically and expressively, becomes the unifying element throughout. It lines the walls to soften acoustics and introduce warmth and texture, while forming the fixed furniture: the bar counter, bar shelving, seating, doors and snugs. Existing routes through the pub were retained, and new ones were introduced to strengthen spatial and visual connections between adjoining rooms.
A key design move is the use of repetition as ornament. Along new walls, a veil of evenly spaced, CNC-machined solid oak battens wraps the interior like a continuous ribbon, aligned at a fixed datum. Below bar counter height, the battens remain square, flat and robust; above, they are scalloped, creating a shifting interplay of light and shadow. Doors puncture, while fluted glass partitions in the snugs provide softly diffused thresholds defining more intimate spaces.
Oak was chosen for its tactile warmth, longevity, and deeper cultural symbolism—long associated in Irish mythology with strength, wisdom, and resilience.
Other interventions reveal and celebrate the structure’s layered history. A thick layer of sand and cement render was deliberately removed from internal stone walls celebrate the original fabric. Construction idiosyncrasies were embraced: a lintel formed from a piece of the Dingle railway track was exposed, and original brick reveals, were preserved and sensitively restored.
To the rear, a single-storey extension replaces a former lean-to, creating a new room that opens onto the south-facing yard with views toward Dick Mack’s Brewery. Clad in locally sourced recycled stone, the extension responds directly to the exposed stone interiors and draws on the scale, materiality, and proportions of the pub’s Victorian-era fabric—ensuring the addition feels rooted, coherent, and respectful.
The new layout and material palette take cues from the historic front bar, reinterpreted with subtle variation. Timber, used both pragmatically and expressively, becomes the unifying element throughout. It lines the walls to soften acoustics and introduce warmth and texture, while forming the fixed furniture: the bar counter, bar shelving, seating, doors and snugs. Existing routes through the pub were retained, and new ones were introduced to strengthen spatial and visual connections between adjoining rooms.
A key design move is the use of repetition as ornament. Along new walls, a veil of evenly spaced, CNC-machined solid oak battens wraps the interior like a continuous ribbon, aligned at a fixed datum. Below bar counter height, the battens remain square, flat and robust; above, they are scalloped, creating a shifting interplay of light and shadow. Doors puncture, while fluted glass partitions in the snugs provide softly diffused thresholds defining more intimate spaces.
Oak was chosen for its tactile warmth, longevity, and deeper cultural symbolism—long associated in Irish mythology with strength, wisdom, and resilience.
Other interventions reveal and celebrate the structure’s layered history. A thick layer of sand and cement render was deliberately removed from internal stone walls celebrate the original fabric. Construction idiosyncrasies were embraced: a lintel formed from a piece of the Dingle railway track was exposed, and original brick reveals, were preserved and sensitively restored.
To the rear, a single-storey extension replaces a former lean-to, creating a new room that opens onto the south-facing yard with views toward Dick Mack’s Brewery. Clad in locally sourced recycled stone, the extension responds directly to the exposed stone interiors and draws on the scale, materiality, and proportions of the pub’s Victorian-era fabric—ensuring the addition feels rooted, coherent, and respectful.
Morris+Company Studio
London Borough of Hackney
2020–2022
London Borough of Hackney
2020–2022
From 2017 to 2023, Luke Matone worked as a project architect at Morris+Company Architects, where he led the major refurbishment of a former warehouse in East London. The project transformed the existing structure into a multi-level, high-street-facing workspace that now serves as the practice’s own studio.
Conceived as a model for adaptive reuse, the design was grounded in principles of sustainability, flexibility, and circular construction. A focus on minimising embodied carbon drove the reuse of as much of the existing building fabric as possible — including salvaged glazed partitions, which were carefully re-integrated into a new modular wall system made from solid softwood timber.
This demountable timber partition — designed for future reconfiguration — also acts as a light-diffusing element, drawing natural light across the ground floor and encouraging visual connection with the street outside. Softwood, a low-carbon material, was chosen both for its renewability and simplicity, supporting the project’s ethos of honest, adaptable construction.
The basement houses a material archive, model workshop, photography studio, and ‘end-of-journey’ facilities — much of it constructed using repurposed joinery from previous studio fit-outs, extending the life of materials already in circulation.
On the first floor, a flexible open-plan studio accommodates 52 workstations, alongside meeting rooms, private call booths, and informal breakout areas — all designed to support a collaborative, future-proof working environment.
Conceived as a model for adaptive reuse, the design was grounded in principles of sustainability, flexibility, and circular construction. A focus on minimising embodied carbon drove the reuse of as much of the existing building fabric as possible — including salvaged glazed partitions, which were carefully re-integrated into a new modular wall system made from solid softwood timber.
This demountable timber partition — designed for future reconfiguration — also acts as a light-diffusing element, drawing natural light across the ground floor and encouraging visual connection with the street outside. Softwood, a low-carbon material, was chosen both for its renewability and simplicity, supporting the project’s ethos of honest, adaptable construction.
The basement houses a material archive, model workshop, photography studio, and ‘end-of-journey’ facilities — much of it constructed using repurposed joinery from previous studio fit-outs, extending the life of materials already in circulation.
On the first floor, a flexible open-plan studio accommodates 52 workstations, alongside meeting rooms, private call booths, and informal breakout areas — all designed to support a collaborative, future-proof working environment.
